Iceland book progress

Yesterday I paid the final balance due for the printing of my second book. The book should be here by the end of October and I will be illustrating a sample copy of it - possibly around August time. I've prepared a little video of the proofs for the book. Please accept my apologies for my self-depreciating humour - I often like to tell everyone how brilliant I am (clearly a joke), but some folks tell me I'm hard to read and they don't often know when I'm joking or not, so thought I should let you know that I'm really not being serious at all : ). You can view the video here:

[vimeo 45629937 w=400]

Below is the specification that has been printed onto the top of the slip-case design they've sent me for evaluation. The color is not the final choice - it's just a sample, completely empty, nothing printed on it, so I can get a feel for the quality and weight of the final product.

Below is the slip-case design, and to the side you can see the book as it is slipped into the side of the case.

A sense of dislocation and of being found

A friend once said to me - recognising in me what was in her - that we were both searchers. Travellers are not restless when they travel, they are often at peace with themselves because they are free to explore and discover their world.

Note that I said ‘their’ world. We all live on the same world, but each and every one of us has our own perception, and our own special way of being wired into what we see, hear and above all, feel.

When I travel I’m often at peace. When I am stationary for too long, I can’t find balance in my life because things are too static, staid perhaps.

I’ve just returned from a month long journey. Along the way I’ve changed. I felt new things, met new people I had not encountered before in my life, saw familiar landscapes in different moods, brought on by visiting in different seasons. I felt I was alive.

And returning home has caused me dislocation. The feeling that familiarity brings, is no longer familiar. I have not lived in a predictable environment for some time, and I’m finding it difficult to adjust to the static aspects of a life routed in one spot.

I thought I should be over this by now. I’ve lived a very travel-intensive life the past three or four years and I’d gotten used to going away, only to come home again. To flip between a life of new experiences and a life of familiar friends and family. Sometimes I thought I was becoming two people. Two separate lives. Where in fact, I was just coping with the sudden change of atmosphere. Moving from one environment of change to another of familiarity.

It shouldn’t bother me so much now, after all this time. I should have grown a thick skin to my sensitivities to the slight or sudden changes to my environment, but I’m glad in a way that I havent. Because it means I’m still sensitive to my environment, and my environment is all that I have to relate to when I photograph.

I don’t think most people out there realise the stresses put upon someone who has to move from a state of constant change, to that of being stationary. Those that don’t do this, think it must be a terrific way to live - ‘seeing the world is so exotic’, they may say. While those who do get to experience it often feel dislocated: each time a major trip comes up, I feel it looming for weeks, and I know that I will have to tear myself away from any feelings of being settled that I’ve built up over a few weeks of being back home. The flight tickets are booked and they are fixed in time, yet they seldom synchronise with my moods. If I don’t feel ready to go away, it’s a huge bind for me to do so. Like a child that doesn’t want to get into the bath, I too don’t want to go to the airport. And after a few days or perhaps a week on the road, I slowly realise that I’m actually enjoying my new freedom. I’ve become someone else through spirit of travel and all the new senses it provides. My old self seems like an distant memory - ‘was that really me who didn’t want to leave home’?, I ask. Now I’m in the bath, there’s no getting me out of it.

So I often wonder just why I find the transference from static to mobile so hard at times. I absolutely love traveling but I also really love being home too. I love my friends and my family, yet at the same time, I often find myself hatching new plans to go somewhere new. I think this is nothing unusual for most photographers - when we’re at home, we so wish to be away, and when we’re away, we can often wish to be home.

I’ve realised that I live a life very different from a lot of my friends now, and it’s very different from the life I used to lead when I worked in an office in Edinburgh. I feel I’ve changed as a result of my life-style. For me at least, it’s given me confidence in myself and a broader outlook on just what life is all about. As much as I can feel a sense of dislocation in those ‘transfer moments’ whilst moving from my home life to the life I have on the road, I feel I have found myself many times too, through the experiences that this ‘transference’ stage has offered me.

I can lose myself if I’m stationary for too long, and I can find myself when I put myself in new environments. And the opposite is true too. However, each time I move, I’m challenging my perceptions and I think that’s maybe why I love doing it: travel is perhaps just another way of making photographs. Instead of making visual images, I make emotional 'imprints' in my mind - they are what I like to call emotional-images. Less tangible perhaps, but equally valid.

50 rolls of film consumed

I'm sitting in my hotel room at the Ritz in La Paz, Bolivia tonight. It is now officially the end of a three week photo adventure with six participants.

It's been a great time and I've thoroughly enjoyed my time with the group. Most importantly for me, I've just had the pleasure of re-aquainting myself with two very special landscapes - that of Torres del Paine national park in the far south of Chile and the Bolivian Altiplano - an undervalued landscape that is - to my mind - as impressive, if not more so, than many of Iceland's landscapes. The Bolivian Altiplano is a place to watch for increased popularity for landscape photographers, that I am sure of.

While we were there, we had a full moon, and managed to shoot it during dawn, dusk, sunrise and sunset. The above image was taken on a previous trip way back in 2007. I'm afraid you'll have to wait until later on this year to see my results as I'm heading off to Iceland in a week's time, so I don't have any free time right now to get the films processed and begin work on them.

I'd just like to express my deepest thanks to all the drivers and guides who assisted me and my group through these remarkable landscapes. I'd also like to thank my group for the enthusiasm and commitment they showed on both trips. We had such amazing weather - lots of snow and clear mornings in Patagonia while in Bolivia we had amazing pink hues + earth shadows every morning and evening during sunrise and sunset.

I'm now hatching a plan for two repeat trips for next June, and possibly a trip to Easter Island too. I'm also hoping to spend some more dedicated personal time on the Bolivian Altiplano during the course of July next year. It's an amazing place which I feel hasn't been fully explored by photographers as yet.

I have over 50 rolls of film - Velvia 50 and Portra 160 to process when I get home. But before that happens, I'm off to Iceland for a month of personal photography time to trek some locations I've sorely missed on previous visits.

Life is short. Still,  I guess I can't say I've not used my time unwisely.

I'll be back on the blog in a few days time once I'm home and over my jet lag.