What you start with, doesn't have to be what you end up with

I’m a big music fan. I write music and I’m a serious amateur musician. For me, it is always very interesting to hear one of the musicians I admire talk about their creative process.

Often times though, I see so many parallels, so many similar issues regarding the creative process. Whether it’s music writing, making photos, writing a book. Whatever. The creative process is always the same: it is a mirror of dealing with inner questions and looking for answers.

One such musician I love is Jon Hopkins. He is a classically trained musician that also works in the electronic fields. He has produced artists like Coldplay, and seems to be very comfortable working in classical music as well as very hard electronic genres.

In many interviews, he has explained that often times, the musical theme, or song that he starts off with, rarely survives to the end. By the time he has finished, the music is unrecognisable from the idea he started out with. Any trace of the initial idea has gone.

I have always assumed that any idea I start with, would remain if it is a good idea. and anything that is weak, should be ejected after some time living with it. So it’s interesting to hear this from Hopkins. as I didn’t interpret his statement as saying ‘whatever I start off with is fairly average and I need to work on things to make it better’. Instead, what I felt he was saying was: ‘even though the initial idea is good, I know it’s only a starting point, and I give myself permission to move beyond it’.

And this is the rub for me. Whatever we start with: we often give too much weight or importance to. If we don’t think it’s strong enough, then we may abandon it too soon, not recognising that it is merely a stepping stone - a catalyst, and go looking for something much stronger.

In Hopkins case, I think what he is doing is starting off with a strong idea. But he’s aware that a good or great idea may still just be a jumping off point, and there may be more to explore.

He wants to be surprised. He wants to be engaged in a way that he hasn’t been before.

In my view, the only way we can get to a level where we surprise ourselves, is if we are willing to let go of anything we have managed to create so far. Even if we have created something we like or think is good, we must be willing to take a chance by changing it, because there may, or may not be, something better beyond it.

I suppose this all comes down to learning to let things go. It is so damn hard to let go of an idea we think is good in the pursuit of something better. I have been there so many times.

But I have found that when I do let go, one of two things happens: I either find something much stronger (and realise that what I thought was good, was only ok), or I lose it all.

We have to be willing to lose it all, in the pursuit of finding something better. Otherwise we will always be working within the confines of a landscape that we already know.

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Lençóis Maranhenses Tour 2024

Just a little notice today that I have published dates for a Lençóis Maranhenses tour for next May. The tour isn’t available to book as yet, because I am finding it very difficult for the agencies I work with to give me prices so far in advance.

So I’ve published the tour and dates, in case you may wish to make a note of it in your diary. I do hope to publish the actual price and allow booking of the tour sometime in the next couple of weeks.

This year’s tour went extremely well. I think we all got so many beautiful images, and I can’t wait to show them to you. I have just returned home and I’m needing a rest, so I hope to get round to processing the films in July, for inclusion in a newsletter.

Until then, here are some images from my 2019 trip there. The new tour is not a trekking trip. It is a 4WD trip and we are able to cover quite a bit of ground. This is also extremely helpful in reaching the most photogenic lagoons in time to shoot the soft morning and evening light.

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On originality

“Good artists borrow. Great artists Steal”
- Pablo Picasso

I recently had a participant tell me that during a review of his work with a well known landscape photographer, he was informed his images looked a lot like mine. It reminded me of a story of a famous landscape photographer who, whilst reviewing a participant’s images, noticed that some of the images looked like several well known landscape photographer’s work. He said ‘these are all very nice. But where is your work?’

This has stayed with me over the years. Perhaps for it being rather brutally honest, and probably a very hard pill to swallow for the participant. But mostly because I think that aiming for some kind of originality in one’s work, too soon in our own development - can be extremely damaging. Let me explain.

“You begin by walking in the footsteps of your heroes,
but hopefully at some point your paths should diverge”
- Michael Kenna

I include the quote above (paraphrased), by Michael Kenna for a reason. Michael has occasionally gone to places where his ‘heroes’ have been, to make his own version of one of their classics. I include two images below:

Left: original Bill Brandt photograph.
Right: Michael Kenna’s homage to Brandt’s Snicket.

Michael Kenna has often name checked the inspiration for his own images and in this case, his photograph is called ‘Bill Brandt’s Snicket’.

That aside, the main reason for showing you this, is that I think it is perfectly natural for everyone to follow in the footsteps of the work that inspires them the most. In fact, I think it’s a rite of passage for all of us, and no one escapes this period in their photography.

Put it this way: if you’re learning to play guitar, it’s often best to start of by learning some classic riffs. By going along to photograph either an iconic composition, or to simply go to landscapes that are stylistically similar to the imagery you admire - can be a great learning tool.

As I say: this is a rite of passage for all of us.

So I think that when we start making images, being drawn to similar places, or looking for things that are stylistically similar to images we like is only natural. We have to learn to walk before we can run, and one of the best ways to learn to walk, is to at the very least emulate, or at best, be drawn to similar landscapes that we have enjoyed in the work that inspires us.

In my view, being told that your work looks like [insert photography of photographer you like], is no bad thing. Just being able to attain compositions that utilise stylistic aspects of the work you enjoy means you’ve learned quite a lot. It is almost impossible to avoid influences, but if you can pull of imagery that comes over as well executed, and to a similar level of the imagery you have been influenced by - then you’ve attained quite a bit of skill. And you are following your natural path by connecting with the stylistic signatures that you enjoy.

So in my view, rather than trying to avoid your imagery looking like someone else’s, we should embrace our influences. Sure, be aware of them - know where they are in your work. But don’t chastise your influences or ban them from your imagery. Influences are not only a contributing factor to where you’ve gotten to so far, but they will continue to teach, and help you flourish in your work going forward.

At the beginning of this post I mentioned two photographers who in essence had hoped that their participants would be more original. Or at least show work that was ‘their own’. I would like to say that although I think it is an admirable thing to encourage individuality, and to help promote that participants should look for their own voice in their work, It is in my view often extremely hard for anyone to execute. For the most part, if someone is to develop a sense of individual style or voice, it will tend to come in its own time. And it tends to come whether someone is looking for it or not. Because finding a unique style or voice is an incredibly elusive thing to find. If it wasn’t so elusive, we’d all have achieved it.

So, in my view, until you find your ‘style’ or ‘voice, you are best to just follow what inspires you. Irrespective of where it’s sourced from. This is all I have ever done, and I can only suggest you do the same.

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Bolivia

I’m just on my way home from Bolivia. I have not been here for four years, and it was nice to return to some of the most special light I get to work in at sunrise and sunset !

I am looking forward to developing my films from this trip as soon as I get home.

In the photo above, I am with my guide - Selveria. I have worked with her back in 2012 and also around 2015. A real professional, she tells me that she is more comfortable at her home town of Uyuni’s elevation of 3,500m. High plateau people tend to have genetic differences that allow them to work better at higher elevations.

On this tour, we had 3 x land cruisers with drivers. I’m always amazed at the terrain we’re able to navigate over, as the roads are often nothing more than tracks in a vast desert.

I hope to post some new images soon of Bolivia. We ventured to some new locations on this tour.

Below I show a collection of images from Bolivia. I have come here countless times now, perhaps just as many times privately as I have the tours I’ve offered because I find the light here like nowhere else.

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