Composition eBook Released!

I'm pleased to announce the release of my 2nd eBook - 'Simplifying Composition'. Containing 33 pages with images from my portfolio, It's been a great project for me to work on.

Having to think about composition and why some of my images work, has been enlightening for me and I'm sure you'll find it of great benefit to you.

There are illustrations within showing how I dissect some of the images.

You can buy it here.

If you haven't already bought my Taj Mahal book about approaching a subject, then it's possible to buy both books at the same time and get a discount. Check it out on my Store page.

Glencoe -17˚

Winter now seems like it was such a long time ago. Yet, I was in Glencoe a few weeks ago conducting a photographic workshop and we still had so much ice there that it was possible to walk out to 'that tree' - the one everyone photographs on Rannoch moor. I feel, now that the Summer is approaching fast and the clocks have changed, it's perhaps time to reflect back on some of the images I made in Glencoe this winter.

I'd be up in Assynt for a week making images when the first batch of snow hit the UK. The only route down to Edinburgh was via Fort William and Loch Ness. Arriving late in the evening at Ballachulish I knew I had to stop and take a few hours out to make some images. I'd not seen the Pap of Glencoe so covered in snow. Winter is often long here in Scotland and we can still get a 'chill wind' in the summer months, but the snow doesn't often stay.

My hands froze and my camera stopped working after an hour being outside (battery failure), so I retreated to the Glencoe YHA for the evening with hope that I would get a good sunrise the following morning for the Buchalle Etive Mhor. I've never photographed it before - often feeling that I would end up with a picture that has been done to death a thousand times before.

Although I had perfect light the next morning. The entire landscape was in a state of permafrost, and we had such a clear night, my camera failed to keep the shutter open at -17˚ celsius. I remember cursing to myself at my luck! Perfect conditions, frozen river, no photograph.

But I don't often give up so I came back up a week later to shoot the image above - I didn't get good light in the morning, but what I did get was a landscape where the ground and the sky were one and the same. I shot the above image near the Buchalle Etive Beag. It was one of those shots I saw on my way back to my car. The tree and the distant hill made for a compelling minimalist shot.

About another week later, I made a third trip up to Glencoe and found this spot on the edge of the river Etive. I waited here for about an hour in -17˚ again, only to find that when I returned to my car, I couldn't speak to a fellow photographer I met on the moor. My face was so numb from the cold, it felt like I'd just returned from a trip to the dentists.

Today the sun is shining and we have clouds moving across the landscape so quickly that the light levels fluctuate. It feels like summer is on it's way, and I'm looking forward to my Eigg workshop in three weeks time. Who knows what the rest of the year holds.

Isle of Eigg Workshop

There are now only a few spaces left if you're interested in coming to the Isle of Eigg late April 2010. Eigg is perhaps one of the best workshops I offer. Not only do we have some excellent home cooking while on the Island, but the beaches are a brilliant compositional study for anyone who's wanting to get to grips with Landscape photography.

If you want to know more about it - email me. But be quick as time is now running out for this trip!

Convergence

I came to Photography from Music. I've been writing music since I was 12 years old, and before then, I was drawing and painting. So I'm aware that I could be classed as a bit 'arty'. With that in mind, I'm very interested in making some movies. Photography is inspiring to me because it's creative, but so too, are many other forms of media. I've never really done any movies before, but I see the convergence of HD movie features in some of the new digital cameras quite compelling.

So I'm thinking about some new projects where I record either my own experiences whilst out in the field, or more interestingly (to myself) is the possibility of making movie-photographs. I'd love to make some short movies where they have all the aesthetics of a well shot photograph.

So do you have any experience of what sort of tools I'd need? I'm thinking HD-capable digital camera, Final Cut Studio (I'm an Apple guy) and some plug ins of some kind that enable 'grading' - which I believe is to film making, what the digital dark room is to photography. Your thoughts if you have any experience in this field are much appreciated.

Lastly, I feel I should stress that art whether it is photography, music, video, whatever, is a journey and we should always explore new territory when we feel it's where we should be going. I never really knew where I'd end up after a decade of making images. Photography has been quite a journey for me, and It's quite inspiring to feel that perhaps, I've only really just started :-)

Composition eBook

Work is underway on completing my book about composition. It's been very interesting working on several eBooks all at once, this past three or four months.

It does get to the point that I feel I've worked on them so much, that I can't quite see the wood for the trees. So I'm off to the Lake district today to see a friend and spend some time getting to know a landscape I'm not that familiar with!

Anyway, I thought I'd show a teaser for the book above. :-)

Book Diagrams

I've not been on my blog for a while. It's been a busy week while I was in Glencoe conducting a Photo-workshop. I'm in the process of writing a little book about composition and thought, that it might be fun to show some diagrams from the proof copy.

I think composition is key to making great images.

There are certain subconscious rules that we employ - we're not really fully aware of why we choose a composition - it just feel's 'right'. Being too aware, I feel, may make you a more competent photographer, but it won't make you a great one.

There has to be a sense of engagement in the photos you are making.

Making a good photo is easy. Making a great one requires for you to look for that extra special something in the landscape. And that only happens when you're fully engaged.

What leads to Success?

One thing that I see a lot of on my workshops - is that people get out of their photography what they put into it. Now, I found this today and it made me laugh because this can be applied to everything in photography, work, art and life.

I was talking to a friend the other day and while we were chatting, they had a look at my web site, and went into the Portfolio section. My friend said - 'one thing is very clear - you've worked very hard to get those images'. She was right. If I was honest with myself, I'd admit to knocking myself out trying to get the images I've made over the past 10 years. There's not really been any motivation behind it - except that I felt 'I had to'. I just love it and I can't not make images.

Anyway, I really loved this little video. It's very inspiring.

Upcoming eBooks

Since I've just released my first eBook, it is perhaps timely to tell you about some publications that I've been working on for the past few months.

Writing a book about my processes is perhaps much easier if I'm able to draw up a 'road map' of further titles that cover different aspects of photography. The Taj Mahal book was a joy to write - using a setting such as the Taj Mahal to explore my motivations and therefore, approach to making images of a location was very satisfying to re-live. But it was clear to me that there are other avenues I need to write about and so I'm really pleased to give you advanced notice of the forthcoming eBooks:

Simplifying Composition

One of the things that I cover a lot on my workshops is composition. It's amazing just how much people actually 'know' about photography, yet don't employ this knowledge. In this book, which will be the next one to come out, I've got some diagrams (drawn by myself!) as illustrations as to why some of my own images work. As usual, there will be a nice collection of images in high-resolution from my trips around the world - Scotland, Iceland, Bolivia for example.

A Photographer's Compendium

Everything you should know, from shooting in the field to post production. A collection of articles such as process-methods I use in the field to Photoshop post processing to monitor calibration. The essentials you should know and get into the habit of employing each time you make new images.

Portraiture

One thing I don't seem to be so well known for, is my portraiture work. Well, this book is really a collection of my best Portraiture work with essays about my approach for each of the images in the book.

Examples

40 Photographs, inspired by Ansel Adams book of the same name.

Currently Available

At the moment, if you're not aware of this - 'The Taj Mahal - a photographer's approach' eBook is now available from my online store!

My first eBook is now available

So here it is, my first eBook - 'The Taj Mahal - a photographer's approach' is now available from my own store page.

Many thanks to Mike Dodds who gave his Technical Author experience, and Michael Marten who, as a college lecturer and photography enthusiast, was able to give me a good breakdown of what was missing.

If you do decide to buy it - well, thank you, I hope to expand on these books and produce some detailed items to do with travel and landscape photography in future. Perhaps you may like to suggest what you'd like to see in future publications.

Assynt : Podcast

Assynt is a special place, situated in the far north west of Scotland. It's not so well known as places like Glencoe, but I think that's more to do with Glencoe's accessibility. While Glencoe has a major trunk road going right through it, Assynt is tucked away from most people and certainly, the photographic press don't cover it much, if at all. Which is a blessing as well as a burden. A blessing because it's not overrun with photographers and a burden, because it takes more effort to convince people to come here!

Please click on the image to play the podcast

This podcast deals with the subject of isolation. Perhaps the biggest thing that bothers me while I'm away making images.

I sometimes find myself feeling too much on my own and in this podcast, I try to ask some questions: is it a wild landscape that makes us feel isolated, or does the landscape more or less amplify our own feelings and reflect them back to us?

I've been pumping out the podcasts lately. I'm sorry for the sporadic publication of these. It takes quite some time to put them together.... but they are a labour of love on my part. I often find I can get round to doing them when I feel inspired to do so. With any 'art', it can't be rushed, and conversely, you have to strike when the iron is hot (take action when you're feeling creative). I've been feeling creative this past few weeks.