Help fund a film processor

I am a film shooter. That’s all I shoot.

Analogico’s ‘dev.a’ film processor

Since January this year, most of my films have come back damaged due to poor processing.

I have decided it is about time I started to do my own film processing.

So I have decided I need to invest in my own processing lab, so I can process my own films. I've got my mind set on a dev.a machine by Analogico. It is a brand new 'fully automated' film processor, so this allows me to be able to walk away from the processing which takes 40 minutes per process (you can do multiple films in one go).

If you’d like to help fund this project, then I’m offering the following eight prints at a very special price. Buying one will help me raise the money I need for this machine.

Buying a print

All print sales below will go towards funding the film processor.

These prints are on offer for the month of June only.

Print Specification

  • Hahnemuhle Photo Rag Baryta paper

  • Epson 4880 print

  • 8”x8” inches image size

  • Signed on front in light grey

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Processing opinion needed

Update - I’ve just heard from someone who has been using the same lab as me, who is getting the same banding down the right-hand-side of the frame. I am satisfied that this is a lab processing issue. Since the lab in question has replied to both of us independently saying ‘we’ve never seen this before’, I feel there’s no point in pursuing this with them. I am therefore no longer wishing to work with this lab, and I think the best course of action for me to pursue is to do my own film processing. More on this on the coming months.

Since January, I’ve stopped sending film away to get processed, as most of it is coming back looking like the images below.

All my images pre-pandemic were 100% perfect. I just checked my last shoot which was in February 2020. All the images are absolutely perfect. I do not change film backs, often travelling with just the same film back on. The cameras have not been altered in any way since February 2020.

If you have solid experience of film colour development, and know for sure what this is, I’d love to hear from you.

I would grateful appreciate you do not email me if you just have a theory. That is all I’ve been getting feedback on for the past few months.

I’m looking for someone who has seen this and knows exactly what this is. If you do know, I’d love to hear from you.

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Watching creativity happen

In this two minute clip, we see Paul McCartney give birth to the song ‘Get Back’. I think it’s a great lesson in creativity. Because for me, most folks are always looking for the ‘how to’ with Photography, whereas it’s not about ‘how to’, but more about ‘trusting your gut and going with the flow’.

In this video, we see the song ‘Get Back’ surface. I choose the word ‘surface’ carefully, because it’s clear from the very beginning that McCartney is just feeling his way through this. He puts no pressure on the song by trying to work out words at this stage. He finds the melody and the chord changes and knows the words will come later. It’s that level of confidence, or inner-knowing that ‘not knowing the entire puzzle, but it’s ok’ that is vitally important in creativity. All too often, I feel most amateurs who wish to improve their work, seek immediate answers, or wrongly assume that the professional knows what they are doing all the time. They don’t.

A professional creative person gives themselves licence to change things, and to consider nothing finished, and everything up for change. They also know they have to experiment, and try things out. Amateurs make the mistake of thinking that if they get something wrong, that this is bad. Everyone get’s things wrong, and even the Beatles had to ‘feel their way’ through their songs, often revisiting them until they got them right.

A great example of this is George Harrison writing ‘Something’. He was lost for a lyric that worked with ‘something in the way she moves….. ‘ and Lennon replied ‘ like cauliflower’. He hunted the right words for months until he found ‘like no other’. In hindsight it might seem obvious to you and I. But it wasn’t. He had to work at it. He had to feel his way through it.

So to me, creatives who are good at what they do, use their intuition. They trust how they ‘feel’ and trust when something doesn’t quite ‘gel’.

I loved watching how McCartney found his way through this song. He doesn’t know where it’s going, so he listens to it, and it tells him where it needs to go. I reckon all art is like that - it often tells us where it wants to go. We just have to listen to it.

When this works, you often hear song writers say ‘the song seemed to write itself’.

This goes for all forms of creativity. So listen to your gut, and trust your feelings on your work.

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When we make photos, we disappear

I’ve thought for a while now, that making photographs is like a form of meditation. Because when I am busy making images, I seem to completely forget who I am, and all my daily pressures and worries completely disappear. In fact, I think when we’re busy doing something like making photos, we completely disappear.

In this fascinating interview with comedy writer John Lloyd (famous for Hitch Hikers guide to the Galaxy, Black Adder (one of the UK’s best comedies, and QI), John explains how having a breakdown in his 40’s, allowed him to gain some insight into what the purpose of life is.

He explains that when we are being as true to ourselves as we can, we completely disappear. Ego goes away, and any concept of ‘I’ disappears. When we do what we love, we become the most true to ourselves, and in doing so, find that being present, is about forgetting who we are.

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Portfolio Development Class #2

Last year I ran an online portfolio development class. I enjoyed putting it together so much, that I figured I would try to offer one each summer, during my downtime from workshops.

So last year I recorded myself editing a set of images from Bolivia. This summer I am intending to record myself editing a different set of images: either Scotland or Norway, or perhaps Brazil…..

Just thought you might like some heads up. I think it will take me a few months to get the work recorded, and edited. So stay tuned.

Below is a refresher of what I offered last year. If you enjoyed this class, then I think another refresher, with different material this summer might be of interest to you.


Last year’s Portfolio Development on-line video Class

Portfolio Development video class 2021 (Bolivia)
£175.00
One time

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Effort should appear Effortless

A few days ago I was asked to write a forward for a photographers book. It is something that I am learning requires a certain skill. The most important being that I need to take note of my first impressions of the work within the book.

With the actual book in question, the first thing I realised was how effortless the compositions appeared. I have thought now for a very long time, that anyone who is able to convey something and make it look effortless, has spent many hours behind the scenes working on it. A Gymnast at the Olympics can make their work look so easy that many of us may consider that we could almost do the same thing with practice. Or perhaps you’ve watched a musician play and thought´I´ll get a bass guitar like theirs, and I should be able to play like them´.

Easy things look easy, because underneath, they aren’t easy at all. It takes practice, effort, many hours, self-learning, constant self review, to make something look easy.

When we are able to pull off this feat, there tends to be one large issue: the skill and effort and artistry is often devalued. Anything that looks easy, is by definition ‘easy’, and therefore I think it tends to lose currency.

So this brings me to our own work. When we are editing or curating our work, anything that does not quite fit, does not appear correct, or seems to draw attention in some unwanted way - these are signs that we have not reached the point of conveying our work to look effortless. Our efforts should appear effortless to the viewers, but if they are able to detect any struggle in our work, then the illusion of competence and excellence suffers.

Take heed of what you feel isn’t quite right. Take heed of what you can’t quite fix. Take heed of anything you think ‘most folks won’t notice’, because the truth is: all these signs are telling you that the work is incomplete.

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On my way to Lençóis Maranhenses, Brazil

Image courtesy of my friend and tour participant this May: Jure Jalič

i just finished up a trip in the Puna de Atacama, Argentina with a really nice group. Our tour had been postponed for 2 years, and it finally happened these past 10 days. It was great, and we saw some new things whilst in there. I hope to publish some new images from this area later this summer once my films are processed.

I am now in Sao Paulo, just waiting to board a flight to Sao Luis. This is for a private trip to Lençóis Maranhenses (this is not a tour or a workshop). I have around 2/3rds of a book ready on this beautiful place, but felt I needed to come back to work on some more images.

I really love South America. Such an amazing place.

(inset photo: myself and my friend, Antofalla, Puna de Atacama, Argentina this May). I’ve found most of the dogs I’ve met in South America to be great friends. I am a dog lover, wishing to be the proud custodian with one myself, but due to too much travel, it’s not possible. But I enjoy meeting and making friends with many dogs on my travels.

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